Music production and music for advertising — Warsaw
Music for advertising, film and animation — music production, jingles and sonic branding in Warsaw. Original, exclusive buyout composition, tailor-made.
Do you need music for advertising, a film or a jingle for your project? We create original, tailor-made music — composed from scratch for a specific production, without the artificial sound of ready-made libraries. Music production is led by Yohan, a composer who combines a classical education with modern production, with experience in jazz, neo-soul and orchestral minimalism.
We compose and produce music for advertising, films and animation, as well as jingles and sonic brand identities. Instead of picking one of thousands of anonymous stock tracks, you receive a composition that matches your vision, strengthens your message and belongs exclusively to your project.
Music production is part of the comprehensive audio post-production at our studio in Warsaw — we combine it with mixing , sound design and voice recording , delivering all the sound in one place.
Music for advertising
Music for advertising plays by its own rules — it has just a few seconds to build emotion, reinforce the message and lodge in the viewer’s memory. We compose original music and jingles for spots and commercials — for TV, cinema, online and social media — designing every track for a specific format and campaign goal rather than pulling it off a shelf.
- Matched to the edit — we synchronise tempo, accents and climaxes with the cuts and rhythm of the picture, so the music works with the edit rather than alongside it.
- The brand’s emotion — we tailor the sound and mood to the character of the brand and its audience, so the commercial evokes exactly the emotions you are after.
- Jingles and catchy hooks — short motifs that build recognition and return across successive waves of the campaign.
- Exclusive rights (buyout) — we create music for advertising exclusively for your brand, with a clear transfer of rights and no recurring licensing fees, so the same track never turns up in a competitor’s ad.
What we compose
The scope of our music production covers the full spectrum of audiovisual and marketing production needs:
- Score / underscore for film, advertising and animation — atmospheric beds that guide the viewer’s emotions and build tension in line with the narrative.
- Jingles — short, catchy musical themes that stick in the memory and boost recognition in spots and on social media.
- Sonic branding — a coherent musical theme and sonic logo that accompany the brand across every customer touchpoint.
- Arrangements — developing and expanding existing themes, adapting the instrumentation and dynamics to the format.
- Track production — the complete realisation of songs and compositions, from concept through arrangement to a finished, mixed piece.
Whatever the form, we work so that the music is not mere background but an element that builds the value and identity of the production. Each of these formats calls for a different approach to structure, length and climactic points — a jingle has to stick in a few seconds, while a score has to guide attention throughout an entire scene. Experience working on productions for demanding audiences allows us to match the right means to the goal.
Original music vs libraries
Ready-made music libraries are tempting with their low price and instant availability, but they have fundamental limitations. The same track may already be playing in a competitor’s commercials, and your brand has no control over it whatsoever. The anonymous stock sound rarely fits the picture perfectly — most often you have to settle for a compromise.
Original composition sells better and builds the brand, because it is created precisely for your message: the tempo, mood, accents and climaxes are synchronised with the edit, and the character of the music reflects the brand’s values. A track that no one else has becomes a recognisable element of your identity — something the audience associates with you alone.
The question of copyright and licensing also matters. We create the music exclusively for your project, with a clearly defined scope for the transfer of rights and fields of exploitation. You do not pay recurring licensing fees, and you run no risk of the track disappearing from a library or turning up with someone else. This means legal security and complete freedom of use — from television broadcast, through online campaigns, to internal materials and events. We define the scope of rights at the outset, tailoring it to the planned use, so that you never have to revisit the matter for future campaigns.
Styles and genres
We are not confined to a single aesthetic. The choice of sound always follows from the character of the brand and the goal of the production — a warm, intimate commercial for an artisan brand sounds different from a dynamic technology spot.
- Acoustic sounds — live instruments, intimate arrangements, natural timbres.
- Electronic — synthesizers, modern productions, energetic beats.
- Jazz and neo-soul — organic, sophisticated harmonies, groove and warmth.
- Orchestral minimalism — subtle, cinematic textures that build emotion without overwhelming the picture.
In practice we often blend these worlds, creating a sound unique to a given project and consistent with the tone of the brand’s communication.
How the collaboration works
The process is transparent and iterative, so that at every stage you have a say in the direction of the music:
- Brief and references — we get to know the goal of the production, the target audience, the mood and examples that capture the sound you expect.
- Sketch / demo — we prepare a first version of the composition that sets the direction: the theme, tempo and instrumentation.
- Feedback and iterations — we gather your comments and refine the demo until the music hits the mark.
- Recording and arrangement — we expand the track, record additional parts and finalise the full arrangement.
- Mix and delivery — we mix the music, integrate it with the rest of the track and deliver it in the target formats.
Studio and production
We produce music in Pro Tools Ultimate, on high-end Eve Audio monitors, drawing on a rich palette of virtual instruments and synthesizers. Because the music is created in the same studio where we handle the mix , the finished composition integrates seamlessly with the entire soundtrack — dialogue, sound design and effects — without losing tonal coherence.
Music production is led by Yohan — a composer working at the intersection of jazz, neo-soul and orchestral minimalism, combining classical craft with modern production. That is your guarantee that your track will be both technically polished and musically authentic. Working in an acoustically controlled environment and on reference monitors means we make sonic decisions consciously, and the finished material sounds predictable on any playback system — from the cinema to a phone.
Order a music production
Do you want your project to resound with its own original music? Get in touch and send us a brief — we will prepare a quote tailored to the form of the track and the scope of rights. See also how advertising sound design works and what audio post-production involves, or explore our full range of services — from voice recording to podcast production .
Equipment
- Pro Tools Ultimate — production and arrangement
- High-end Eve Audio monitors
- Virtual instruments and synthesizers
- Integration with a 5.1 mix suite
- Exclusive buyout track with full transfer of rights
Frequently asked questions
Do you compose original music for commercials and films?
Yes. We create original, bespoke music and jingles composed from scratch for a specific project — from atmospheric underscore to full arrangements. We never reach for ready-made libraries and their artificial sound.
Which genres and styles do you work in?
We combine classical training with modern production. We cover a wide range — from acoustic to electronic sounds, including jazz, neo-soul and orchestral minimalism — matching the music to the character of the brand and the production.
Who owns the copyright to the music you compose?
The track is created exclusively for your project. As part of the collaboration we define the scope of the licence and the transfer of rights, so that you can freely use the music across the intended fields of exploitation — with no risk of claims or the licensing fees typical of libraries.
How much does music production or a jingle cost?
The price depends on the form of the track, its length, the arrangement, the number of iterations and the scope of rights. Send us a brief and references — we will prepare a quote tailored to the project.
How much does music for advertising cost?
We quote individually after a brief — the cost of music for advertising depends on the length of the spot, the form of the track (a jingle or a full score), the number of versions and the scope of exclusive rights. Send us the script or edit and references, and we will prepare a concrete quote.
Is music for advertising exclusive, and what rights do I get?
Yes. We create music for advertising exclusively for your brand and transfer the rights on a buyout basis — with clearly defined fields of exploitation (TV, cinema, online, social media). You pay no recurring licensing fees and can be sure the same track will not turn up in a competitor’s commercial.
How long does it take to compose a track?
The time depends on the complexity of the arrangement and the number of feedback rounds. A short jingle or sonic logo is completed faster than an elaborate score. We agree on a realistic deadline once we have reviewed the brief.
Can you produce a jingle or a sonic brand identity?
Yes. We design jingles and complete sonic branding — a musical theme and sonic logo that build brand recognition across advertising, social media and every customer touchpoint.
Can you fit the music to a finished edit?
Yes. We compose and synchronise music to an existing picture and edit, taking care of accents, transitions and dynamics that follow the rhythm of the material. We then integrate the music into the mix of the whole track.
Do you combine music production with mixing and sound design?
Yes. The music is created in the same studio as the sound design, voice recordings and the final mix, so that all layers of sound feel coherent and are refined in one place.
